Bio | Publications | Negotiation | ICE

Publications & Presentations (All Guise, P. unless noted)

Publications

Guise, P., and Faulkner, R. (2005). The Icemen Cometh: A choral travel saga with implications for the acquisition of business skills. In Sharing the Voices: The Phenomenon of Singing V. St. John’s, NL, Canada: Memorial University of Newfoundland. Presented 2005/07/02: In press.

(2004). Music Business Education in Canada: A census and developmental template. (Doctoral dissertation, University of Kansas, 2004). Dissertation Abstracts International 65/10, 3735.

(2003). The Relationship Between Voice Part and Self-Selected Pitch. In Sharing the Voices: The Phenomenon of Singing IV (pp. 94-99). St. John’s, NL, Canada: Memorial University of Newfoundland.

(2001). Director or Leader? How to Gain Control of the Choir (and how to give it away). In A. Rose & K. Adams (Eds.), Sharing the Voices: The Phenomenon of Singing III (pp. 132-137). St. John’s, NL, Canada: Memorial University of Newfoundland.

(1999). Group Dynamics and the Small Choir. In B. A. Roberts & A. Rose (Eds.), Sharing the Voices: The Phenomenon of Singing II (pp. 108-115). St. John’s, NL, Canada: Memorial University of Newfoundland.

______. Six Piano Miniatures. On Glossa [CD]. Edmonton, AB, Canada: Edmonton Composers’ Concert Society (CLEF 99003-2).

(1994). Embers [Electroacoustic composition on CD]. Kingston, ON, Canada: Queen’s University Arts and Science Undergraduate Review.

Online Publications - Originally published on the True North Brass website.

  • So Now What? (Dec 2005)
  • Join The Club. (Nov 2005)
  • Re:searching the Market. (Oct 2005)
  • Take It From thETOP. (Sept 2005)
  • SWOT’s He Talking About? (Aug 2005)
  • Musician, Know Thyself (and others). (July 2005)
  • When I Grow Up, I Want To Be... (June 2005)
  • Is University a Better Option? (May 2005)
  • Things You Can (finally!) Learn at College. (Apr 2005)
  • It’s Not What You Know… It’s What Your Mentor Knows! (Mar 2005)
  • Learning Professional Skills (or how to avoid becoming a waiter). (Feb 2005)
  • Musician + Professional = Professional Musician. (Jan 2005)

Commissioned Work

Click! Monthly column in the Ontario DX Association magazine Listening In. Twenty-five issues, 2006/12 to 2008/12.

Glossa. Edmonton Composers’ Concert Society Compact Disc - (CLEF 99003-2). All recording, engineering, editing/mixing, mastering. Released 1999/03.

Fearful Symmetry. Original acoustic and electroacoustic music for the feature length dramatic work, commissioned by Threshold Theatre, Kingston, ON, Canada. Debuted Spring 1994.

Presentations

Cultural Enterprise: Principles and Practices – a model curriculum. Invited presentation at Creative Entrepreneurship and Education in Cultural Life (conference), Chicago, IL, U.S.A., 2009/07/17.

Entrepreneurship Education for Artists and Creative Professionals: a Burden or a Must? Invited panelist at Creative Entrepreneurship and Education in Cultural Life (conference), Chicago, IL, U.S.A., 2009/07/17.

National Identities and Economic Realities: The case for cultural enterprise education. Umeå University – University of Manitoba Partnership conference, Umeå, Sweden, 2009/02/17.

The State of Music Business Education in Canada. The Brevard Conference on Music Entrepreneurship (BCOME), Brevard, NC, U.S.A., 2007/07/29.

The Icemen Cometh: A choral travel saga with implications for the acquisition of business skills. The Phenomenon of Singing International Symposium V, St. John’s, NL, Canada, 2005/07/02.

The Relationship Between Voice Part and Self-Selected Pitch. The Phenomenon of Singing International Symposium IV, St. John’s, NL, Canada, 2003/06/28.

Rocking Lukey’s Boat – Recoding Music for Varied Markets. The University of Western Ontario Graduate Symposium in Music, London, ON, Canada, 2002/06/01.

The Effect of Women’s Voice Part Identity on Self-Selection of Pitch (Poster session). Kansas Music Educator’s Association annual meeting, Wichita, KS, U.S.A., 2002/03/01.

Director or Leader? How to Gain Control of the Choir (and how to give it away). The Phenomenon of Singing International Symposium III, St. John’s, NL, Canada, 2001/06/30.

Group Dynamics and the Small Choir. Invited lecture at The University of Kansas, Lawrence, KS, U.S.A., 2000/10/02.

Beyond Gesture: A case for the consideration of Group Dynamics. The First International Symposium on Choral Conducting, University of Surrey - Roehampton, London, U.K., 2000/04/17.

Group Dynamics and the Small Choir. The Phenomenon of Singing International Symposium II, St. John’s, NL, Canada, 1999/07/05.

Workshops

Aspects of Negotiation V – Negotiation and Organizational Renewal, presented through the Education Institute, 2009/04/09.

Aspects of Negotiation IV – Negotiation for Job Providers, presented through the Education Institute, 2009/03/05.

Aspects of Negotiation III –Negotiation for Job Seekers, presented through the Education Institute, 2009/02/05.

Music as Business - Principles & Practices, half-day session, Lakehead University, Thunder Bay, ON, Canada, 2009/01/30.

Marketing workshop, presented to the Opera Workshop undergraduate class, University of Manitoba, Winnipeg, MB, Canada, 2009/01/09.

Aspects of Negotiation II – The Language of Negotiation, presented through the Education Institute, 2008/12/11.

Aspects of Negotiation I – Negotiation: An Introduction, presented through the Education Institute, 2008/11/20.

Negotiation Skills workshop, presented to the Opera Workshop undergraduate class, University of Manitoba, Winnipeg, MB, Canada, 2008/10/31.

Negotiation Skills workshop, presented to the Opera Workshop undergraduate class, University of Manitoba, Winnipeg, MB, Canada, 2007/11/09.

Canadian Choral/Folk music workshop, presented to Karlakórinn Hreimur (Hreimur Male Choir), Húsavík, Iceland, 2004/01/19-21.

Choral Singing workshop, presented to the Girls Choir, Basehor-Linwood School, Basehor, KS, USA, 2002/04.

Choral Singing workshop, presented to elementary school music educators of the Chinook’s Edge School Association, Innisfail, AB, Canada, 2001/02/08.

CD Reviews - all for Canadian Folk Music [CFM] / CFM Bulletin

  • Sarah Burnell – Sarah’ndipity. CFM 42.2, Summer 2008, 31-32.
  • The Sarah Burnell Band – Return Ticket. CFM 42.2, Summer 2008, 31-32.
  • Bob Snider – Caterwaul & Doggerel. CFM 42.2, Summer 2008, 34-45.
  • Bob Snider – Stealin’ Home. CFM 42.2, Summer 2008, 34-35.
  • Ron Hynes – Ron Hynes. CFM 42.1, Spring 2008, 36-37.
  • The Buccaneers – Road Trip, vol. 1. CFM 41.4, Winter 2007-8, 26-27.
  • Pied Pumkin – Pumkids: Tuneful Tales for Kids and Kin. CFM 41.4, Winter 2007-8, 29-30.
  • The Polyjesters – Ka-Chunk! CFM 40.4, Winter 2006-7, 22-23.
  • Madviolet – Caravan. CFM 40.3, Fall 2006, 37-38.
  • The Wailin’ Jennys – Firecracker. CFM 40.3, Fall 2006, 38-39.
  • Chor Leoni Men’s Choir – Canadian Safari2. CFM 40.2, Summer 2006, 35.
  • Finest Kind, with John D. Huston – Feasts & Spirits: A Christmas Entertainment. CFM 39.2, Summer 2005, 39.
  • Andrews + Lawrence – old time gospel. CFM 38.4, Winter 2004-05, 25.
  • Beyond the Pale – Consensus. CFM 38.4, Winter 2004-05, 27.
  • Tom Lewis – 360° All Points of the Compass. CFM 38.3, Fall 2004, 31-32.
  • Tanglefoot – Captured Alive. CFM 38.1, Spring 2004, 28.
  • Tanglefoot – Agnes on the Cowcatcher. CFM 38.1, Spring 2004, 27-28.
  • Stringband – The Indispensable, 1972-2002. CFM 37.3, Fall 2003, 40.
  • VFSS Shanty Crew – Blow the Man Down!: Tall Ships in the Fraser. CFM 37.1, Spring 2003, 38-39.
  • Sheela Na Gigh – Live by the Aire. CFM BULLETIN 36.3,Autumn 2002, 38.
  • Mr. Mole – From the Outside. CFM BULLETIN 36.3, Autumn 2002, 38-39.
  • Virgo Rising – In Concert – Voices Entwined. CFM BULLETIN 36.2, Summer 2002, 31-32.
  • Fraser Union - From There to Here. CFM BULLETIN 35.2, Summer 2001, 44.
  • Acadia Nights - Julian West. CFM BULLETIN 35.1, May 2001, 18-19.